Elementos de poder: barras ceremoniales y bastones de mando en Mesoamérica
Palabras clave:
Bastones de mando, Barras ceremoniales, Olmecas, Epi-Olmeca, Elementos de poderResumen
Las distinciones entre las personas que ostentan el poder y aquellos que no, es distinguible en Mesoamérica desde los inicios de las sociedades complejas. En este trabajo se hace referencia al uso de los elementos de poder clasificados como barras ceremoniales y bastones de mando, los cuales son identificados en la iconografía desde el período Formativo, sobre todo en lo que respecta a los Olmecas. Esta tradición aún se observa en algunas poblaciones indígenas actuales pero cuyos orígenes podrían remontarse al pasado prehispánico.
Citas
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Benson, Elizabeth P. y Beatriz de la Fuente (1996). Olmec Art of Ancient Mexico. Washington, dc: National Gallery of Art.
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Joralemon, Peter David. (1971). A study of Olmec iconography. Studies in Pre-Columbian Art and Archaeology 7. Dumbarton Oaks, Washington, D.C.
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Milbrath, Susan. (1979). A study of Olmec sculptural chronology. Studies in Pre-Columbian Art and Archaeology 23. Dumbarton Oaks, Washington, D.C.
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Prufer, Keith M, Phil Wanyerka, y Monica Shah. (2003). “Wooden figurines, scepters, and religious specialists in Pre-Columbian Maya society”. En Ancient Mesoamerica 14(2):219-236.
Redfield, Robert. (1956). Peasant society and culture: an anthropological approach to civilization. Chicago: Chicago University Press.
Reilly III, F. Kent. (1991). “Olmec iconographic influences on the symbols of Maya rulership: An examination of possible sources”. En V. M. Fields (editor) Sixth Palenque Round Table, 1986. Norman, OK: University of Oklahoma Press, pp. 151-166.
Reilly III, F. Kent. (2006). “Middle formative origins of the Mesoamerican ritual act of bundling”. En Julia Guernsey y F. Kent Reilly III (eds) Sacred Bindings of the Cosmos: Ritual Acts of Bundling and Wrapping in Ancient Mesoamerica. Barnardsville, NC: Boundary End Archaeology Research Center, pp. 1-21.
Tate, Carolyn E. (2001). “The Poetics of Power and Knowledge at La Venta”. En R. Koontz, Kathryn, Reese-Taylor and Annabeth Headrick (eds.) Landscape And Power In Ancient Mesoamerica. Boulder, Colorado: Westview Press, pp. 137-168.
Taube, Karl. (2000). “Lightning celts and corn fetishes: the Formative Olmec and the development of maize symbolism in Mesoamerica and the American Southwest”. En Studies in the History of Art 58:296-337.
Benson, Elizabeth P. y Beatriz de la Fuente (1996). Olmec Art of Ancient Mexico. Washington, dc: National Gallery of Art.
Blom, Frans Ferdinand, y Oliver La Farge. (1927). Tribes and temples: a record of the expedition to middle America, volumen 2. New Orleans: The Tulane University of Louisiana.
Burke, Peter (2001). Eyewitnessing. The uses of Images as Historical Evidence. London, England: Reaktion Books.
Diehl, Richard A, y Michael D Coe. (1995). “Olmec archaeology” en The Olmec world: Ritual and rulership:11-25. Princeton, nj: The Art Museum of Princeton University.
Drucker, Philip. (1952). “La Venta, Tabasco: a study of Olmec ceramics and art”. Bureau of American Ethnology Bulletin 153.
Flannery, Kent V., y Joyce Marcus. (2000). Formative Mexican chiefdoms and the myth of the “mother culture”. En Journal of Anthropological Archaeology 19(1):1-37.
Grove, David C. (1997). “Olmec archaeology: A half century of research and its accomplishments”. En Journal of World Prehistory 11(1):51-101.
Grove, David C, y Susan D Gillespie. (1984). “Chalcatzingo's Portrait Figurines and the Cult of the Ruler”. En Archaeology 37(4):27-33.
Grove, David C y Louise I. Paradis. (1971). “An Olmec Stela from San Miguel Amuco, Guerrero”. En American Antiquity 36(1):95-102.
Guernsey, Julia. (2012). Sculpture and social dynamics in Preclassic Mesoamerica. New York: Cambridge University Press.
Houston, Stephen D, y Michael D Coe. (2003). “Has Isthmian writing been deciphered?” -Mexicon:151-161.
Jansen, Maarten. (1988). “The Art of Writing in Ancient Mexico: an ethno-iconological perspective”. En Visible Religion 6:86-113.
Joralemon, Peter David. (1971). A study of Olmec iconography. Studies in Pre-Columbian Art and Archaeology 7. Dumbarton Oaks, Washington, D.C.
Justeson, John. (2012). “Early Mesoamerican writing systems”. En D.L. Nichols (editor) The Oxford Handbook of Mesoamerican Archaeology. Oxford: Oxford University Press, pp. 830-844.
Justeson, John S., y Terrence Kaufman. (1992). “Un desciframiento de la escritura jeroglífica Epi-Olmeca: Métodos y resultados”. En Arqueología 8:15-25.
Justeson, John S., y Terrence Kaufman. (1993). “A decipherment of Epi-Olmec hieroglyphic writing”. En Science 259(5102):1703-1711.
Justeson, John S., y Terrence Kaufman. (1997). “A newly discovered column in the hieroglyphic text on La Mojarra Stela 1: A test of the Epi-Olmec decipherment”. En Science 277(5323):207-210.
Justeson, John S., y Terrence Kaufman. (2008). “The Epi-Olmec tradition at Cerro de las Mesas in the classic period". En Classic Period Cultural Currents in Southern and Central Veracruz. Washington, D.C.: Dumbarton Oaks, pp.159-196.
Kaufman, Terrence, y John Justeson. (2001). “Epi-Olmec hieroglyphic writing and texts”. En Notebook for the XXVth Maya Hieroglyphic Forum at Texas. Austin, TX: University of Texas and Maya Workshop Foundation, pp. 1-101.
Laughlin, Robert M. (1988). The Great Tzotzil Dictionary of Santo Domingo, Zinacantán. Washington, D.C.: Smitshonian Institution Press.
Lenkersdorf, Gudrun. (2010). “La resistencia a la conquista española en los Altos de Chiapas”. En Viqueira, Juan Pedro y Mario Humberto Ruz (eds.). Chiapas. Los rumbos de otra historia. México: unam, pp. 71-85.
Milbrath, Susan. (1979). A study of Olmec sculptural chronology. Studies in Pre-Columbian Art and Archaeology 23. Dumbarton Oaks, Washington, D.C.
Navarrete Cáceres, Carlos. (1974). The olmec rock carvings at Pijijiapan, Chiapas, México and other olmec pieces from Chiapas and Guatemala, vol. 35. Provo, UT: Brigham Young University.
Ortiz Ceballos, Ponciano, Maria del Carmen Rodriguez, y C Alfredo Delgado. (1997). Las investigaciones arqueologicas en el cerro sagrado Manati. Xalapa, Veracruz: Universidad Veracruzan.
Pohl, Mary ED, Kevin O Pope, y Christopher von Nagy. (2002). “Olmec origins of Mesoamerican writing”. En Science 298(5600):1984-1987.
Pool, Christopher A. (2000). “From Olmec to Epi-Olmec at Tres Zapotes, Veracruz, Mexico”. En John E. Clark y Mary E. Pye (eds) Olmec Art and Archaeology in Mesoamerica. Studies in the History of Art 58. New Haven: Yale University Press, pp. 136-153.
Prufer, Keith M, Phil Wanyerka, y Monica Shah. (2003). “Wooden figurines, scepters, and religious specialists in Pre-Columbian Maya society”. En Ancient Mesoamerica 14(2):219-236.
Redfield, Robert. (1956). Peasant society and culture: an anthropological approach to civilization. Chicago: Chicago University Press.
Reilly III, F. Kent. (1991). “Olmec iconographic influences on the symbols of Maya rulership: An examination of possible sources”. En V. M. Fields (editor) Sixth Palenque Round Table, 1986. Norman, OK: University of Oklahoma Press, pp. 151-166.
Reilly III, F. Kent. (2006). “Middle formative origins of the Mesoamerican ritual act of bundling”. En Julia Guernsey y F. Kent Reilly III (eds) Sacred Bindings of the Cosmos: Ritual Acts of Bundling and Wrapping in Ancient Mesoamerica. Barnardsville, NC: Boundary End Archaeology Research Center, pp. 1-21.
Tate, Carolyn E. (2001). “The Poetics of Power and Knowledge at La Venta”. En R. Koontz, Kathryn, Reese-Taylor and Annabeth Headrick (eds.) Landscape And Power In Ancient Mesoamerica. Boulder, Colorado: Westview Press, pp. 137-168.
Taube, Karl. (2000). “Lightning celts and corn fetishes: the Formative Olmec and the development of maize symbolism in Mesoamerica and the American Southwest”. En Studies in the History of Art 58:296-337.
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2019-01-07
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Marx Navarro Castillo. (2019). Elementos de poder: barras ceremoniales y bastones de mando en Mesoamérica . Graffylia, Revista De La Facultad De Filosofía Y Letras, 3(6), 70–85. Recuperado a partir de http://rd.buap.mx/ojs-graffylia/index.php/graffylia/article/view/410
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