The voice disfigured in the monstrous bodies: the autobiography to Paul de Man in “Errata [en todos los puntos del bordado]” by Nicté Toxqui

  • Ana Gabriela Márquez Aquino Benemérita Universidad Autónoma de Puebla, Puebla, México
Keywords: Body, Literature, autobiographic, queer, crip

Abstract

Until now, “non-standard” bodies have been discriminated, and have been named as “monstrous bodies”. Currently, Queer and Crip theories, among others, have appropriated the insult to resignify it. Literature has been one of the means to prop up these ideas. However there are new literary texts like “Errata [en todos los puntos del bordado]” by Nicté Toxqui that point to the projection of a subject that is made visible through language and that highlights that body as part of the subject that speaks and builds itself in writing. In postmodern literary theory, Paul de Man argues that prosopopeia is the trope of autobiography, while the voice is a figure and is disfigured. Therefore, the monstrous body has been dehumanized and has become an object, but it is the same prosopopeia to “Errata [en todos los puntos del bordado]” that will be the voice of that body and, consequently, it is autobiographical.

Author Biography

Ana Gabriela Márquez Aquino, Benemérita Universidad Autónoma de Puebla, Puebla, México

I studied Political Science and Public Administration at the Universidad Iberoamericana in Puebla, during this period I specialized in International Human Rights at the Universidad Pontificia Comillas in Madrid, during my stay in this country I became interested in the plastic arts and since then I have dedicated myself to the study and production of art that I have presented in group exhibitions in Mexico City, Puebla, Tlaxcala and Veracruz. Subsequently, I studied a Master's Degree in Hispanic American Literature. I am currently studying for a PhD in Hispanic American Literature at BUAP. I have participated in national and international colloquia (BUAP) and seminars (UNAM); I was an examiner for a publication of the Department of Politics and Culture of the Universidad Autónoma Metropolitana (UAM). I have a publication in the book "Ausencias en Clío. Gender and History in Mexico by the University of Santiago de Cali (2019-2020), called "El Pecado Nefando. Análisis del discurso del denunciante en el proceso Judicial del año de 1714 en la Puebla de los Ángeles". Teacher at Universidad del Valle de México (UVM) and Preparatoria de la BUAP, Emiliano Zapata ext. San Martin Texmelucan Puebla.  I dedicated a season to special education (2016-2020) both in institutions and privately; at different times I give workshops on the topics mentioned above. Subjects of specialization: Literature. Visual Arts. Body, Queer Theory and Crip.

References

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Catelli, Nora. (2007). “Introducción”. En La era de la intimidad. La Plata: Beatriz Viterbo, pp. 2-12.

De Man, Paul. (1991). “La autobiografía como desfiguración”. Anthropos, No. 29, pp. 113-118.

Moscoso, Melania. (2009). “La normalidad y sus territorios liberados”. Dilemata, año 1, no. 1, pp. 57-70.

Muñiz, Elsa. (2010). “Las prácticas corporales. De la Instrumentalidad a la complejidad”. En Muñiz, E. (Coord.), Disciplinas y prácticas corporales. Una mirada a las sociedades
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Platero, Raquel (Lucas). (2012). “De la parada de los monstruos a los monstruos de lo cotidiano: la diversidad sexual y sexualidad no normativa”. Feminismo/s 19, junio, pp. 127-142.

Toxqui, Nicté. (2017). Errata [En todos los puntos del bordado]. Chihuahua: Ediciones Sangre.
Published
2023-07-24
How to Cite
Márquez Aquino, A. G. (2023). The voice disfigured in the monstrous bodies: the autobiography to Paul de Man in “Errata [en todos los puntos del bordado]” by Nicté Toxqui. Amoxcalli, Revista De Teoría Y Crítica De La Literatura Hispanoamericana, 6(12), 82-97. Retrieved from http://rd.buap.mx/ojs-dm/index.php/amox/article/view/1207